" Since what we
know of the future is made up of purely abstract and logical elements —
inferences, guesses, deductions — it cannot be eaten, felt, smelled, seen,
heard, or otherwise enjoyed. To pursue it is to pursue a constantly retreating
phantom, and the faster you chase it, the faster it runs ahead..."
~Alan Watts~
As it turns out, friends, this ‘live in the present’ thing
that everyone says absent-mindedly seems to be like THE secret to a less than sucky life. Who knew?
Here’s the thing though: The present can be grim. It can be
all manner of unpleasantness. Dust, spittle, mangy dogs, the intrusive leer of
a strange group of men on the street, a sudden putrid smell, a mass of unsightly
razor bumps on the face of some poor soul sitting next to you in the matatu, that
gnawing feeling in your chest that you are actually nothing at all, Maina
Kageni’s noxious voice …it doesn’t end. All around us, there are little bits of
ugly that seem to be symptoms of a much deeper sadness that we all seem to be
collectively carrying around. Every. Single. Day. Who wouldn’t want to disappear?
Constantly being anywhere else but where you are has its
effects though. Your life gets away from you, quickly running through your
fingers like fine desert sand. All of the mental time travelling sucks away at
your life force, tiring you completely, without achieving much of anything.
Then you go home at the end of the day, worn out and empty. It’s something I have struggled with all my
life.
Thankfully, the universe has provided reprieve in the form
of Erik Satie’s Gymnopedie No.1.
He looks like a physicist, which would make sense because this is probably what the Big-Bang sounded like. |
If you have ever wondered why art is necessary for a
bi-pedal, somewhat intelligent, carbon-based organism, whose only certainty in
life is death, you will find the answer in this piece of music.
Gymnopedie No.1 (and Nos. 2 and 3 for that matter, check
them out) nourishes and delights without trying to deceive you about the
realities of life. It is simple in its sadness, echoing our often hollow
existence and grounding the listener firmly in the present. That same
simplicity also happens to be so incredibly moving and so exquisitely beautiful,
that it buoys the listener from being completely washed away by the waves of utter
uselessness that we, as vulnerable, mortal creatures, contend with day in and
day out.
For me, this piece is a 3 minute prayer of beautiful
melancholy that keeps me rooted in the earth yet reaching for the heavens.
An incantation that restores balance in an otherwise
cluttered and confused existence.
K.
P.S. Interesting fact, an interpolation of this piece was
used in the chorus of this Janet Jackson song which also happens to have the
most early-2000s video of all time. Cue the shiny skin and pet alligators in slow motion.
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